Rachmaninoff
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Overall, what leaps out is the sheer quality, consistency and stylishness of Janine Jansen’s playing. She conjures up the mood of each piece with seemingly effortless and flawless technique...Pappano... — More…
Awards:
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Presto Recording of the Week, 10th September 2021
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Gramophone Magazine, Awards Issue 2021, Editor's Choice
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International Classical Music Awards, 2022, Nominated - Chamber Music
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Rachmaninoff 150 Piano Concerto No. 2 & Other Piano Works
Kirill Gerstein (piano), Berliner Philharmoniker, Kirill Petrenko
Awards:
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International Classical Music Awards, 2024, Nominated - Assorted Programs
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an intelligently curated recital with song at the centre. It begins with Romances by Clara and Robert Schumann back to back, both showcasing the warmth and evenness of Ioudenitch’s sonority... — More…
Awards:
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Opus Klassik Awards, 2023, Nominated - Young Talent
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Opus Klassik Awards, 2023, Winnter - Chamber
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In the case of the very expansive Chopin Variations… Sudbin makes a persuasive case for this unjustly neglected work, demonstrating not only breathtaking technical control throughout, but also... — More…
Awards:
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BBC Music Magazine, December 2005, Instrumental Choice
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Nicola Benedetti - Fantasie Nicola Benedetti (violin), Alexei Grynyuk (piano)
Royal Liverpool Philharmonic Orchestra, London Philharmonic Orchestra, London Symphony Orchestra, Vasily Petrenko, Andrew Litton, Daniel Harding
The Lark Ascending is beautifully played, with pure, unforced tone, and in the unmeasured passages Benedetti imaginatively suggests the bird's unfettered, unpredictable flight. By contrast,... — More…
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Awards:
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Gramophone Magazine, September 2001, Editor's Choice
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Rachmaninov: Piano Concerto No. 2 & Études-Tableaux, Op. 33
Boris Giltburg (piano)
Royal Scottish National Orchestra, Carlos Miguel Prieto
Giltburg paces the concerto’s solo opening crescendo beautifully…In terms of sheer pianism, the ensuing saga is frequently breathtaking. It’s not only the fleetness of the fingerwork, utter... — More…
Awards:
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Gramophone Magazine, October 2017, Editor's Choice
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Opus Klassik Awards, 2018, Winner - Solo Recording - piano (20th/21st-century music)
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If I were to sum up the special quality she brings then it would be her purity and directness. Take the Elgar title-piece, which comes without a hint of whimsy, coquettishness or vulnerability... — More…
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