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Strauss: Vier letzte Lieder & Lieder
Diana Damrau (soprano), Helmut Deutsch (piano), Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
The German soprano’s virtues are well in evidence. There’s no doubting the integrity and intelligence of her performances, and there’s much to admire in her tidy, restrained way with the Four... — More…
Awards:
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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Opus Klassik Awards, 2020, Winner - Solo Vocal Recital (Lieder)
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Andrew Kennedy is an eager, bright-eyed lover: the bloom and the tenderness of the middle range of his voice, in particular, knows just how to bring a luxuriant Straussian intimacy to a song... — More…
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It's a sort of voice that we don't often hear on disc in song these days. Which is a shame, because Schuster is an instinctive artist and the interpretations themselves are wonderful. As a native... — More…
Awards:
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Gramophone Magazine, September 2015, Editor's Choice
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Lott was still at her peak when these recordings were made in 2002, and has a background of great affinity with the Strauss muse...Her voice and phrasing are still at their glorious finest,... — More…
Awards:
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Gramophone Magazine, October 2012, Re-issue of the Month
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R. Strauss: Salzburg Lieder Evenings 1956-2010
Elisabeth Schwarzkopf, Lisa Della Casa, Irmgard Seefried, Nicolai Gedda, Christa Ludwig, Hermann Prey, Leontyne Price, Peter Schreier, Edita Gruberova, Jessye Norman, Edith Mathis, Marjana Lipovsek, Heinz Zednik, Frederica von Stade, Francisco Araiza, Thomas Hampson, Diana Damrau, Michael Volle,...
Many favourites feature but there are also comparative rarities to experience and savour...a valuable collection, both artistically and historically. — More…
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R. Strauss: Vier letzte Lieder & 12 Lieder
Lucia Popp (soprano), Wolfgang Sawallisch (piano)
London Philharmonic Orchestra, Symphonieorchester des Bayerischen Rundfunks, Klaus Tennstedt, Bernard Haitink
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Strauss: Don Juan, Metamorphosen & Songs for Soprano & Piano
Joan Rodgers (soprano) & Jan Latham-Koenig (conductor/piano)
Strasbourg Philharmonic Orchestra
Joan Rodgers's singing...has bags of personality and that's the main thing...Tone-poem and elegy both start well, but have their problematic interpretative moments...The central sweep, though,... — More…
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Soft, inward rapture for 'Ständchen' is Behle's excellent starting point...An easy confidentiality never allows over-inflection here...Whether or not the studio tells the truth, Behle is also... — More…
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Lieder by Schubert, Strauss & Schoenberg
Bayerischen Staatsoper, Cuvilliés-Theater 23/7/1984
Lucia Popp (soprano) & Irwin Gage (piano)
The music of Richard Strauss suited Popp as if she were wearing a tailor-made gown. In that composer's three songs of Ophelia, the soprano places that hapless heroine vividly before us. Gage's... — More…
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