Handel - Tune your harps to cheerful strains (from Esther)
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As Steals the Morn
RecommendedHandel - Arias & scenes for tenor
Mark Padmore (tenor), Lucy Crowe (soprano), Robin Blaze (countertenor) & Katharina Spreckelsen (oboe obligato)
The English Concert, Andrew Manze
Handel was one of the first Baroque composers to invest his talents in the tenor voice and here this unique English legacy is recalled. Through his shading, dynamic range and commitment to... — More…
Awards:
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Presto Recording of the Week, 11th June 2007
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Gramophone Magazine, May 2007, Editor's Choice
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BBC Music Magazine Awards, 2008, Vocal Award Winner
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'Where'er You Walk' Arias For Handel's Favourite Tenor
Allan Clayton (tenor) & Mary Bevan (soprano)
The Mozartists, The Choir of Classical Opera, Ian Page
there’s a guileless beauty of tone in Clayton’s Handel … he is a stylish but not slavish Handelian … led by Matthew Truscott, the string playing is reliably silky, well articulated and quick-witted,... — More…
Awards:
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Gramophone Awards, 2017, Shortlisted - Recital
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Great British Choral Works Michael Chance, Michael George & Mark Padmore
The Sixteen, Harry Christophers
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Your Tuneful Voice: Handel Oratorio Arias Iestyn Davies (countertenor), Carolyn Sampson (soprano)
The King’s Consort, Robert King
Davies's quick coloratura is dazzling in the final aria, 'How can I stay when love invites?' — More…
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Handel: English Arias James Bowman (countertenor), with Susan Gritton (soprano), with Katharina Spreckelsen (oboe)
The King’s Consort, Robert King
Arias from the oratorios are sung with the distinctive vocal timbre and panache for which Bowman is well-known. Twice joined by Susan Gritton this recital finds both artists on engaging form. — More…
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Handel’s Harp
Maxine Eilender (harp) & Cyndia Sieden (soprano)
Seattle Baroque Orchestra, Stephen Stubbs
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Handel: Arias Bernadette Greevy (contralto), Joan Sutherland (soprano), William Herbert (tenor), Hervey Alan (bass), Forbes Robinson (bass)
An earlier generation of superb Handelians, led by Joan Sutherland, Bernadette Greevy’s opulent contralto, William Herbert’s textured tenor and the refulgent basses of Hervey Alan and Forbes... — More…
2 CDs
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