Scarlatti, A - Salve Regina
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The interweaving voices produce an attractive juxtaposition of density and transparency. Texts are declaimed crisply yet sensitively, melismatic vowels possess compassionate luminosity, and... — More…
Awards:
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Gramophone Magazine, January 2017, Editor's Choice
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Gramophone Awards, 2017, Shortlisted - Baroque Vocal
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Scarlatti: Messa Clementina
Le Parnasse français and Louis Castelain, Louis Castelain, Le Parnasse français
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Offer,
Ave Virgo Gloriosa Marian Music from the Renaissance to the Baroque
Vox Poetica Ensemble, Nova Alta, Sabino Manzo
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A Scarlatti: Salve Regina, Vivaldi: Stabat Mater & Concertos for Strings
Jeanne Lamon, Marie-Nicole Lemieux, Tafelmusik Orchestra
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A. Scarlatti: Sacred Works
Gemma Bertagnolli, Adriana Fernandez, Sara Mingardo, Martin Oro, Furio Zanasi, Antonio Abete & Andrea Coen
Concerto de’Cavalieri, Marcello Di Lisa
Bertagnolli and Mingardo sing concertante parts spiritedly, with the other four singers forming a sensitive ripieno chorus; the effect is splendid in fast much but especially beguiling in the... — More…
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Musicke Companye: O Bone Jesu
Philippa Hyde (soprano), Paul Esswood (counter-tenor), Jennifer Janse (cello), Helen Rogers (organ)
Musicke Companye
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Scarlatti, A: Cecilian Vespers, etc.
Susanne Rydén and Dominique Labelle (sopranos), Ryland Angel (countertenor), Michael Slattery (tenor), Neal Davies (baritone/chanteur)
Philharmonia Baroque Ensemble, Philharmonia Chorale, Nicholas McGegan
Scarlatti's Vespers were composed for a service at the Roman church of Santa Cecilia in Trastevere in 1721. He was in his sixties by then, his music out of fashion, and one can sense that with... — More…
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