Vaughan Williams: A London Symphony

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Hickox and the London Symphony Orchestra have come up with a recording that you can cheerfully measure against most others in the catalogue, before you consider its unique extra charms! — John Armstrong, bbc.co.uk, 20th November 2002 More…

Release Date: 1st Apr 2001
Catalogue No: CHAN9902
Label: Chandos
Length: 67 minutes

Presto Recording of the Week

1st December 2008
Gramophone Awards

2001

Recording of the Year
Gramophone Magazine

July 2001

Editor's Choice
Building a Library

November 2016

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Butterworth, G: The Banks of Green Willow

Work length6:17

$1.00

$1.30

$1.60

Richard Hickox, London Symphony Orchestra

Vaughan Williams: Symphony No. 2 'A London Symphony'

Work length1:01:27

$15.00

Album only

Richard Hickox, London Symphony Orchestra

I. Lento - Allegro risoluto

Track length15:07

$4.00

Album only

II. Lento

Track length16:17

$4.00

Album only

III. Scherzo (Nocturne). Allegro vivace - Andantino

Track length11:07

$3.00

$2.60

$3.20

IV. Andante con moto - Maestoso alla marcia (quasi lento)

Track length18:56

$4.00

Album only

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Favourites, Ralph Vaughan Williams

David picks out some top recordings of the works of English composer Ralph Vaughan Williams.

Obituary, Richard Hickox

1st December 2008

Reviews

20th November 2002

Hickox and the London Symphony Orchestra have come up with a recording that you can cheerfully measure against most others in the catalogue, before you consider its unique extra charms!

2010

It was during the summer of 1911 that George Butterworth, whose enchanting 1913 idyll, The Banks of Green Willow, comprises the achingly poignant curtainraiser here, first suggested to Vaughan Williams that he should write a purely orchestral symphony.
VW dug out some sketches h'd made for a symphonic poem about London, while at the same time deriving fruitful inspiration from HG Wells's 1908 novel, Tono-Bungay. Geoffrey Toye gave the successful Queen's Hall premiere in March 1914, and VW subsequently dedicated the score to Butterworth's memory.
Over the next two decades or so, the work underwent three revisions (including much judicious pruning) and was published twice (in 1920 and 1936). In his compelling 1941 recording with the Cincinnati SO, Eugene Goossens employed the 1920 version, which adds about three minutes of music to that definitive 1936 'revised edition'. Now Richard Hickox at long last gives us the chance to hear VW's original, hour-long canvas – and riveting listening it makes too! Whereas the opening movement is as we know it today, the ensuing, expanded Lento acquires an intriguingly mournful, even worldweary demeanour. Unnervingly, the ecstatic full flowering of that glorious E major Largamente idea, first heard at fig F in the final revision, never materialises, and the skies glower menacingly thereafter. Towards the end of the Scherzo comes a haunting episode that Arnold Bax was particularly sad to see cut ('a mysterious passage of strange and fascinating cacophony' was how he described it). The finale, too, contains a wealth of additional material, most strikingly a liturgical theme of wondrous lyrical beauty, and, in the epilogue, a gripping paragraph that looks back to the work's introduction as well as forward to the first movement of A Pastoral Symphony. Sprawling it may be, but this epic conception evinces a prodigal inventiveness, poetry, mystery and vitality that do not pall with repeated hearings. Hickox and the LSO respond with an unquenchable spirit, generous flexibility and tender affection that suit VW's ambitious inspiration to a T, and Chandos's sound is big and bold to match. An essential purchase for anyone remotely interested in British music.

June 2014

Hickox and the LSO strike again in this award-winning recording, which turns back the clock on the various revisions to the symphony and presents the original 1913 version.

Vaughan Williams: A London Symphony

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Favourites, Ralph Vaughan Williams

Obituary, Richard Hickox

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