SACD, Linn (label)
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Berlioz: L'Enfance du Christ, Op. 25
RecommendedVéronique Gens (Marie), Alastair Miles (Herod/Ishmaelite Father), Yann Beuron (Narrator), Stephan Loges (Joseph)
Swedish Radio Symphony Orchestra & Chorus, Robin Ticciati
Beuron, still probably France's finest lyric tenor, a compelling Recitant with open, ardent tones and warm delivery...Miles is a splendidly anguished but restrained Herod and benign Ishmaelite,... — More…
Awards:
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Presto Recording of the Week, 2nd December 2013
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Harp recitals are almost bound to be appealing, such is the instrument’s seductiveness, but this one has substance, too. — More…
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Bruckner: Symphonie No. 2 (arr. Anthony Payne)
Royal Academy of Music Soloists Ensemble, Trevor Pinnock
The scale of Bruckner’s symphonic vision and the weight of his musical ideas are certainly preserved, and the performance is indeed persuasive...There are too many sublime moments to pick out... — More…
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[Pizarro] brings spaciousness and a fine balancing of inner parts, in chords and counterpoint alike, alongside a freedom and energy very much his own...his formidable technique provides the... — More…
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Languorous and brilliant by turns, this star clarinettist's recital is a delight.… — More…
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Apart from his nimble dexterity, Freeman-Attwood's playing is just as striking for the beauty of his lyrical phrasing and his richness of colour, so well demonstrated by Saint-Saëns's "Romanza",... — More…
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Mahler: Lieder eines fahrenden Gesellen (arr. Schoenberg)
Chamber Arrangements
Gareth Brynmor John (baritone), Katie Bray (mezzo)
Royal Academy of Music Soloists Ensemble, Trevor Pinnock
Gareth Brynmor John tunes in to Schoenberg's pungent and resinous arrangement, sweet with avian flute and violin, bittersweet in the dark, mesmeric breathing of the harmonium…[Berceuse elegaique]... — More…
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one rather sits up at the opening Praeludium of Grieg's Holberg Suite, flutter-tonguing and all...Throughout, the trumpet-playing of Freeman-Attwood is first class. But what makes this collection... — More…
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Morton keeps the Tchaikovsky rhythmically lithe and buoyant...emphasising the composer's neo-classical sensibility in emulation of his beloved Mozart. The feather-light waltz dances exuberantly,... — More…
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