Hi Res Download, Scarlatti, A (composer)
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This is perfect ground for Lindsey and Cohen, both extremely accomplished and transformative performers of Baroque music...Her extraordinary vocal evocations are complemented throughout by the... — More…
Awards:
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Presto Editor's Choice, May 2021
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Gramophone Magazine, July 2021, Editor's Choice
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BBC Music Magazine, September 2021, Opera Choice
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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BBC Music Magazine Awards, 2022, Shortlisted - Vocal
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It's music by Luca Antonio Predieri (a nearcontemporary of Handel’s) that really hits the mark. Predieri’s gentle lyricism and clean lines suit Orliński’s soft-grained voice well. He’s no convincing... — More…
Awards:
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The Times Records of the Year, 2019
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Presto Recording of the Week, 20th December 2019
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International Opera Awards, 2020, Winner - Solo Recital Recording
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Opus Klassik Awards, 2020, Nominee - Male Singer of the Year
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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Gramophone Awards, 2020, Finalist - Recital
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Arie Napoletane: Max Emanuel Cencic Max Emanuel Cencic (countertenor)
Il Pomo D'Oro, Maxim Emelyanychev
Cencic negotiates this complex emotional parabola wonderfully well. This is a great voice, dark in tone, beguiling in its liquidity and finely equalised. His coloratura flows with great ease...though... — More…
Awards:
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Gramophone Magazine, December 2015, Editor's Choice
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Gramophone Awards, 2016, Finalist - Recital
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Mühlemann makes everything sound easy. But it’s not just virtuosity, as the beauty of her voice also stops you in your tracks. — More…
Awards:
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Presto Editor's Choice, September 2017
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Record Review, 16th September 2017, Recording of the Week
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Opus Klassik Awards, 2018, Winner - Newcomer (singer)
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Vivaldi, Bononcini, Scarlatti, Legrenzi: Dolce Pupillo Sonia Prina (contralto), Luan Goes, Les Furiosi Galantes
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Vistoli’s supple facility for rapid passagework is to the fore in ‘ Torno ai ceppi’ from Sarro’s Arsace…Aside from some momentary imperfections in the strings’ intonation, the youthful ‘volcanic... — More…
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Bartoli indeed thinks about everything she sings, and her whispered, beautifully phrased account of ‘Lascia ch’io pianga’ is carefully shaded, with decorations scrupulously delivered. Other,... — More…
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Francesca Aspromonte: Prologue Music by Monteverdi, Caccini, Cavalli, Stradella & Scarlatti
Francesca Aspromonte (soprano)
Il pomo d’oro, Enrico Onofri
Aspromonte’s diamantine timbre, rich, expressive palette and outstanding care for words make her an ideal mistress of ceremonies. — More…
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Remembering Tebaldi
Melody Moore (soprano), Transylvania State Philharmonic Orchestra, Lawrence Foster
Does Moore sound like Tebaldi? Not exactly: a track-by-track comparison reveals subtle differences in timbre and interpretation. But this is an act of homage, not impersonation, and Tebaldi’s... — More…
Awards:
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International Classical Music Awards, 2024, Nominated - Vocal Music
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Viva Italia
Toshiaki Murakami (tenor), Masakazu Kurihara (piano), Yukako Furudate (violin), Sanae Tanaka (mandolin)
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