Presence Through Sound: Music and Place in East Asia
- Author: Howard, Keith
- Author: Ingram, Catherine
Book
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Contents
- Catherine Ingram and Keith Howard
- Introduction: Reflections on the significance of place for East Asian musical traditions
- China
- 1 Catherine Ingram
- The Shifting Strength of Place in Contemporary Big Song Singing from Southwestern China
- 2 Anne E. McLaren
- From the Heart of the Lake Booms a Mountain Song: Sense of Place in the Song-Cycles of Coastal China
- 3 Min Yen ONG
- Bringing the Past to Life: Creating and Contesting Place in Kunqu Singing Practices
- 4 Lu LIU
- Beijing in the Contemporary Pipa World
- Tibet
- 5 Gerald Roche
- The Alphabetical Order of Things: The Language of Place and the Place of Language in Tibetan Song
- Taiwan
- 6 Yang Ming TEOH
- Lingering Across the Ocean, Rooted on the Island: Indigenous Music and the Notions of Mountain and Sea as Taiwanese Identifiers
- Korea
- 7 Keith Howard
- The Constructed Soundscapes of Place in Korea, South and North
- 8 Hee-sun KIM
- Place as Brand: The Role of Place in the Construction of Contemporary Traditional Music in South Korea
- 9 Hilary Finchum-Sung
- The Sonic Habitus of Silk and Wood: Kugak's Twenty-First-Century Terrain
- 10 Roald Maliangkay
- Not a Habitus for the Have-Nots: The Walker Hill Shows, 1962-2012
- Japan
- 11 Naoko TERAUCHI
- Gagaku and the Kasuga Wakamiya Onmatsuri Festival of Nara: From the Sound of Authority to the Sound of Local Identity
- 12 Hugh de Ferranti
- Biwa 's Place in Modern Times
- 13 Kiku Day
- Place and Locality in Fuke-Style Shakuhachi: The Case of Nezasa-ha Kinpuryu