Music Documentaries for Radio
- Author: Coley, Sam
Book
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Contents
- Introduction
- Defining the music documentary
- The music documentary in academic studies
- The radio producer
- Authenticity in radio production practice
- Conclusions
- References
- Chapter One: Historicising the music documentary
- Defining the radio documentary and the music documentary
- Online opportunities
- The changing role of the radio producer
- Conclusions
- Note
- References
- Chapter Two: Public service and commercial radio
- Academic investigations in the field of radio studies
- The political economy of radio
- The viability of music documentaries
- Conclusions
- Notes
- References
- Chapter Three: Music
- The use of music within music documentaries
- Track selection in music documentaries
- "Beat matching" in music documentaries
- The music "bed" in music documentaries
- Conclusions
- Notes
- References
- Chapter Four: Production practices
- Comparisons between audio and visual forms of documentary production
- Radio production practices
- Conclusions
- Notes
- References
- Chapter Five: Interviewing
- Securing interview talent for music documentaries
- Interviewing for music documentaries
- Recording on-location interviews
- Recording online and remote interviews
- Conclusions
- Notes
- References
- Chapter Six: Presentation
- The voice
- Structuring and presentation
- The role of the presenter in documentary commissioning
- Scripting for radio documentary presentation
- Conclusions
- Notes
- References
- Chapter Seven: Editing
- Editing music documentaries for radio
- Structuring music documentary content
- Representations of truth
- Conclusions
- Notes
- References
- Chapter Eight: Idea generation and commissioning
- Commissioning music documentaries to build radio audiences
- Audience considerations in commissioning radio documentaries
- Programming considerations in music documentaries
- Educational and compliance considerations in the commissioning process
- Alternative funding streams for music documentaries
- The value of radio awards
- Conclusions
- Notes
- References
- Chapter Nine: New technologies
- Online audio platforms and distribution
- Online engagement with contributors and audiences
- The re-appropriation of online content
- The visualisation of radio content
- Conclusions
- Notes
- References
- Chapter Ten: Freelance practices
- Freelance radio production in the cultural industries
- Workflow in freelance music documentary production
- Commissioning opportunities for freelancers
- Conclusions
- Notes
- References
- Chapter Eleven: Final thoughts
- References
- Index