Max Reger and Karl Straube: Perspectives on an Organ Performing Tradition
- Author: Anderson, Christopher
Book
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Contents
- Contents: Preface
- Introduction
- Reger, Straube, and the organ: aspects of the relationship, 1898-1916: Max Reger, the 'potent genius'
- Karl Straube, the 'scholarly intelligence'
- Reger, Straube, and the beginnings of collaboration
- Reger's music and Straube's musicianship, 1898-1918: Questions and evidence
- Straube's musical sense and his playing of Reger
- Issues of influence
- Reger's music under Straube's editorship, 1903-38: Johann Sebastian Bach: Schule des Triospiels (1903)
- Max Reger: Drei OrgelstA1/4cke op. 59/7-9 (1912)
- Max Reger: PrAludien und Fugen (1919)
- Max Reger: Phantasie A1/4ber den Choral 'Ein feste Burg' op. 27 (1938)
- Karl Matthaei: Vom Orgelspiel
- 'Lighter paper for lady cigarette smokers': thoughts on a complete Reger edition
- Reger's music at the Leipzig Conservatory and Church Music Institute, 1907-48: Reger and Straube: relations to Leipzig
- 'The soul of the German people': Straube and a nationalist organ repertory
- Teaching and performance within Straube's Leipzig curriculum
- The Leipzig Conservatory organ and the implications of its history
- Appendices
- Bibliography
- Index.