Book
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Contents
- Acknowledgments Richard Begam and Matthew Wilson SmithIntroduction Part OneWorld War I and Before: Crises of Gender and Theatricality
- 1. Matthew Wilson Smith"Laughing at the Redeemer: Kundry and the Paradox of Parsifal"
- 2. Daniel Albright "Materlinck, Debussy and Modernism"
- 3. Klara Moricz "Echoes of the Self: Cosmic Loneliness in Bartok's Duke Bluebeard's Castle" Part TwoInterwar Modernism: Movement and Countermovement
- 4. Bryan Gilliam"The Great War and Its Aftermath: Straussand Hofmannthal's 'Third-Way Modernism'"
- 5. Bernadette Meyler "Adorno's Shifting Wozzeck"
- 6. Derek Katz"Many Modernisms, Two Makropulos Cases:Capek, Janacek and the Shifting Avant-Gardes of Inter-war Prague"
- 7. Richard Begam"Schoenberg, Modernism and Degeneracy"
- 8. Cyrena Pondrom"Gertrude Stein, Minimalism and Modern Opera" Part ThreeOpera after World War II: Tensions of Institutional Modernism
- 9. Herbert S. Lindenberger, "Stravinsky, Auden and the Mid-Century Modernism of The Rake's Progress"
- 10. Irene Morra " Gloriana and the New Elizabethan Age"
- 11. Linda and Michael Hutcheon"One Saint in Eight Tableaux: The Untimely Modernism of Olivier Messiaen's Saint Francois d'Assise"
- 12. Joy H. Calico" Saariaho's L'amour de loin: Modernist Opera in the Twenty-First Century" Notes on ContributorsIndex