Jean-Baptiste Lully and the Music of the French Baroque
Essays in Honor of James R. Anthony
- Editor: Heyer, John Hajdu
Book
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Contents
- 1. Introduction Paul Henry Lang;
- 2. The first opera in Paris: a study in the politics of art Neal Zaslaw;
- 3. Michel Lambert and Jean-Baptiste Lully: the stakes of a collaboration Catherine Massif;
- 4. Chronology and evolution of the grand motet at the court of Louis XFV evidence from the Livres du Rol' and the works of Perrin, the sous-maitres and Lully Lionel Sawkins;
- 5. The sources of Lully's grands motets John Hajdu Heyer;
- 6. Some notes on Lully's orchestra Jerome De La Gorce;
- 7. The Amsterdam editions of Lully's orchestral suites Herbert Schneider;
- 8. Parnassus revisited: the musical vantage point of Titon du Tiller Julie Ann Sadie;
- 9. The residences of Monsieur de Lully: a west side story Marcelle Benoit;
- 10. The geographical spread of Lully's operas during the late seventeenth and early eighteenth centuries: new evidence from the Burets Carl B. Schmidt;
- 11. How eighteenth-century Parisians heard Lully's operas: the case of Armide's fourth act Lois Rosow;
- 12. La Mariee: the history of a French court dance Rebecca Harris-Warrick;
- 13. A re-examination of Rameau's self-borrowings Graham Sadler;
- 14. A musician's view of the French baroque after the advent of Gluck: Gretry's Les trois rages de l'opera and its context M. Elizabeth C. Bartlet;
- 15. A bibliography of writings by James R. Anthony Dorman Smith.